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A long time ago, I took a History of Broadcasting course taught by
Jack
Rouse at the University of
Cincinnati College Conservatory of Music. Jack spent a good deal of time
on the story of the great inventor
Thomas Edison.

I went home after the Edison lesson and wrote a
song about Tom, most of it based on History of Broadcasting fact. That is, I started with
what Jack had just taught but elaborated. You might say I even projected,
imagining that Tom Edison would have been sort of a mid- to late-19th century
superstar. He would have had groupies and one might have followed him back
to his lab late in
the night, which would be the best time for an inventor to work, especially on something
like a light bulb.
What better musical style to use, I decided as
I picked up my guitar, than the talking blues. Aside from the fact that
talking blues was one of the few styles I could manage back then.
Lesser-known Edison inventions such as the
thomatrope, phantasmagorica, prakcinescope,
and pharaktoscope populate my cat-and-mouse laboratory orgy. In my verses,
Edison the ultimate geek seems more interested in his work than what the
young woman has to offer. Seemed like a good story line to me then. And, in
fact, the song has entertained friends for decades.
Later I added a chorus, which helped tie the story together and give it a
purpose beyond pure fun:
‘Tain’t enough to create.
‘Snot enough to invent.
You wanna do it right. Get your name in lights.
Gotta imp-a-lement.
The layout of the
Inventure
Place in Akron, Ohio, bears out the truth of my chorus-summation.
Literally one half houses invention displays. The other half is
devoted to what made inventions get up off the workbench and into
marketplace. Hearing my song, you might conclude
the Inventure Place should be divided into thirds—a
third for invention, a third for marketing, and a third for all the
groupies who have given the Edisons of the world the passion to invent. |